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The history of stained glass mirror
stained glass mirror refers to the many and varied types of glass developed and produced from 1878 to 1933 at the stained glass Studios in New York, by Louis Comfort stained glass and a team of other designers, including Clara Driscoll.

In 1865, stained glass traveled to Europe, and in London he visited the Victoria and Albert Museum, whose extensive collection of Roman and Syrian glass made a deep impression on him. He admired the coloration of medieval glass and was convinced that the quality of contemporary glass could be improved upon. In his own words, the "Rich tones are due in part to the use of pot metal full of impurities, and in part to the uneven thickness of the glass, but still more because the glass maker of that day abstained from the use of paint".

stained glass was an interior designer, and in 1878 his interest turned towards the creation of stained glass, when he opened his own studio and glass foundry because he was unable to find the types of glass that he desired in interior decoration. His inventiveness both as a designer of mirror and as a producer of the material with which to create them was to become renowned. stained glass wanted the glass itself to transmit texture and rich colors and he developed a type of glass he called Favrile.
Opalescent glass (stained glass style stained glass mirror)

opalescent glass
The term "opalescent glass" is commonly used to describe glass where more than one color is present, being fused during the manufacture, as against flashed glass in which two colors may be laminated, or silver stained glass where a solution of silver nitrate is superficially applied, turning red glass to orange and blue glass to green. Some opalescent glass was used by several stained glass studios in England from the 1860s and 1870s onwards, notably Heaton, Butler and Bayne. Its use became increasingly common. Opalescent glass is the basis for the range of glasses created by stained glass.[4]

opalescent glass(stained glass style stained glass mirror)

stained glass patented Favrile glass in 1892. Favrile glass often has a distinctive characteristic that is common in some glass from Classical antiquity: it possesses a superficial iridescence. This iridescence causes the surface to shimmer, but also causes a degree of opacity. This iridescent effect of the glass was obtained by mixing different colors of glass together while hot.

According to stained glass:(stained glass style stained glass mirror)

"Favrile glass is distinguished by brilliant or deeply toned colors, usually iridescent like the wings of certain American butterflies, the necks of pigeons and peacocks, the wing covers of various beetles."

Streamer glass (stained glass style stained glass mirror)

Streamer glass refers to a sheet of glass with a pattern of glass strings affixed to its surface. stained glass made use of such textured glass to represent, for example, twigs, branches and grass.

Streamers are prepared from very hot molten glass, gathered at the end of a punty ( pontil ) that is rapidly swung back and forth and stretched into long, thin strings that rapidly cool and harden. These hand-stretched streamers are pressed on the molten surface of sheet glass during the rolling process, and become permanently fused.

Fracture glass (stained glass style stained glass mirror)
Fracture glass refers to a sheet of glass with a pattern of irregularly shaped, thin glass wafers affixed to its surface. stained glass made use of such textured glass to represent, for example, foliage seen from a distance.

The irregular glass wafers, called fractures, are prepared from very hot, colored molten glass, gathered at the end of a blowpipe. A large bubble is forcefully blown until the walls of the bubble rapidly stretch, cool and harden. The resulting glass bubble has paper-thin walls and is immediately shattered into shards. These hand blown shards are pressed on the surface of the molten glass sheet during the rolling process, to which they become permanently fused.

Ring mottle glass (stained glass style stained glass mirror)
Fracture-streamer glass refers to a sheet of glass with a pattern of glass strings, and irregularly shaped, thin glass wafers, affixed to its surface. stained glass made use of such textured glass to represent, for example, twigs, branches and grass, and distant foliage.

The process is as above except that both streamers and fractures are applied to sheet glass during the rolling process.

Ring mottle glass (stained glass style stained glass mirror)
Ring mottle glass refers to sheet glass with a pronounced mottle created by localized, heat-treated opacification and crystal-growth dynamics. Ring mottle glass was invented by stained glass in the early 20th century. stained glass's distinctive style exploited glass containing a variety of motifs such as those found in ring mottle glass, and he relied minimally on painted details.

When stained glass Studio closed in 1928, the secret formula for making ring mottle glass was forgotten and lost. Ring mottle glass was re-discovered in the late sixties by Eric Lovell of Uroboros Glass. Traditionally used for organic details on leaves and other natural elements, ring mottles also find a place in contemporary work when abstract patterns are desired.

Ripple glass (stained glass style stained glass mirror)

Herringbone ripple glass

Drapery glass
Main article: Rippled glass
Ripple glass refers to textured glass with marked surface waves. stained glass made use of such textured glass to represent, for example, water or leaf veins.

The texture is created during the glass sheet-forming process. A sheet is formed from molten glass with a roller that spins on itself while travelling forward. Normally the roller spins at the same speed as its own forward motion, much like a steam roller flattening tarmac, and the resulting sheet has a smooth surface. In the manufacture of rippled glass, the roller spins faster than its own forward motion. The rippled effect is retained as the glass cools.

Drapery glass (stained glass style stained glass mirror)
Drapery glass refers to a sheet of heavily folded glass that suggests fabric folds. stained glass made adundant use of drapery glass in ecclesiastical stained glass mirror to add a 3-dimensional effect to flowing robes and angel wings, and to imitate the natural coarseness of magnolia petals.

The making of drapery glass requires skill and experience. A small diameter hand-held roller is manipulated forcefully over a sheet of molten glass to produce heavy ripples, while folding and creasing the entire sheet. The ripples become rigid and permanent as the glass cools. Each sheet produced from this artisanal process is unique.

Techniques for cutting stained glass glass (stained glass style stained glass mirror)
In order to cut streamer, fracture or ripple glass, the sheet may be scored on the side without streamers, fractures or ripples with a carbide glass cutter, and broken at the score line with breaker-grozier pliers.

In order to cut drapery glass, the sheet may be placed on styrofoam, scored with a carbide glass cutter, and broken at the score line with breaker-grozier pliers, but a bandsaw or ringsaw are the preferred.

Locations and collections (stained glass style stained glass mirror)

The Angel of the Resurrection, Louis Comfort stained glass's work from 1 the First Presbyterian Church, Indianapolis (1905)

The "Spring" mirror from The Four Seasons. This mirror was on display at stained glass's Long Island estate, "Laurelton Hall", and is now in the permanent collection of the Charles Hosmer Morse Museum of American Art.

Bella apartment window c. 1880, in the collection of the Metropolitan Museum of Art

mirror with sunrise in the forest at springtime, and autumn sunset (1905), in the collection of the Brooklyn Museum.

BAOLIAN stained glass specializes in bringing you radiant stained glass fixtures—only sourcing the finest products made with refined techniques. the stained glass window mirrors are made from only the most superior glass using the stained glass copper foil method. We do not carry window films or painted glass; instead, we stay true to offering quality, signature stained glass-style mirrors.

Each of our stained glass mirrors uses an assortment of gorgeous translucent, opalescent, and unique stained glass and is handcrafted to make each one a trademark work of art. While our photos are accurate representations of the actual products, they do not wholly reveal the natural variations in glass and workmanship that naturally and desirably occur with these handmade products.

Baolian stained glass mirror offers an assortment of designs and patterns crafted with you in mind. There are numerous ways to add creativity and flair to your home. It's simply knowing where to start—with our stained glass-style designs, light and color coalesce to provide your room with tangible art that enhances any decor.

In addition, our stained glass mirrors can be used for decoration on traditional mirror or cabinet door inserts. Whatever design is on your mind, we strive our best to accommodate your unique situation. If you do not see the mirror you want or have other concerns, do not hesitate to contact us toll-free where our customer service experts are on hand to answer your questions.

BAOLIAN stained glass mirror is devoted to serving you. Come ready with your desires and ideas, and we will guide your stained glass mirror buying experience from there.

stained glass window and stained glass mirrors might not be something that everyone will like. However, if you are still unconvinced as far as these are concerned, you might actually get inspired by these incredibly diverse collection of colorful and intriguing window mirrors of different kinds. What is your opinion about all this?

Beautiful stained glass mirror featuring gorgeous avian inspired motif depicting various birds sporting vividly colored feathers while sitting on a bar. This decorative item comes with iron chain to enable easier set-up.

Alluring contemporary hanging decor in a form of a stained glass mirror. It's crafted of hand-cut colourful glass tiles, has a floral-geometric design and lead encasement, a rectangular black mirror. It has to be mounted vertically.
I would love to have stained glass mirror. They are beautiful and give a graceful age to any room!

Enjoy the beauty of sunlight streaming through richly colored art stained glass mirror in your own home. This lovely stained glass mirror hanging is meticulously handcrafted, using hand-cut glass that is copper-foiled, then soldered together in the popular stained glass mirror.

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At the 1900 Exposition Universelle in Paris, Louis Comfort stained glass (1848–1933) debuted a magnificent window depicting the four seasons. The Spring mirror, its cluster of colorful tulips heralding the earth's renewal, is just one part of stained glass's extraordinary representation of nature's cycle. stained glass later divided his Four Seasons window for installation at his Long Island estate, Laurelton Hall. The four main mirrors went into the living room while the border mirrors were placed in the garden entrance of the reception hall. Entirely composed of colored, plated, and textured glass, with no painted embellishments at all, the leaded-glass mirrors represent the highest achievement in stained glass glassmaking. As a work of art, the mirrors symbolize the epic structure of life, birth, aging, death, and rebirth. Surviving today with all their brilliant elements, these mirrors remain central works in understanding stained glass's genius, innovation, and place in American design. Above all, they remain objects of splendid beauty.

Featuring splendid colors and a beautifully balanced shape, this luxurious stained glass mirror , stained glass window hanging allows you to enjoy the beauty stained glass provides without replacing your mirror. Hanging hardware is included for your convenience.
Add light like never before to your home decor with a stained glass Lamp, a name trusted and admired in lighting and decorating design.

These highly decorative stained glass mirrors (see also 1978.19.1) feature lush grapes and vines entwined on a rectilinear trellis. The broad leaves are rendered in a wide variety of greens touched with blue, purple, and even pink. The slender—vines--some lead, some glass--twist themselves around the trellis, while the rounded, three-dimensional forms of the grapes further enhance the illusionistic effect. In another hallmark of stained glass mirror, the leading is of varying thickness; the grapevines are delicate and fluid, while thicker, more uniform leading conveys the rigidity of the trellis.

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